2023
On the kid who jumps up to touch the doorframe in May December (Vulture)
On Slow Horses (Slate)
On celebrity memoir (Vulture)
On Timothée Chalamet’s online presence (Vulture)
Review: Memoir Shortlist Summer 2023 (New York Times)
Review: THE GOD OF ENDINGS (New York Times)
2022
On poster’s disease (Gawker)
On my IUD (Gawker)
On Elon Musk as artistic muse (New York Magazine)
On the whole Colleen Hoover thing (Buzzfeed)
On The Souvenir: Part Two (Bright Wall/Dark Room)
2021
On The Lego Batman (Bright Wall/Dark Room)
2020
On The Prime of Miss Jean Brodie (Bright Wall/Dark Room)
On clafoutis (The Takeout)
On John Magaro and First Cow (Bright Wall/Dark Room)
2019
On Force Majeure (Bright Wall/Dark Room)
On the best comedy sketches of the decade (Vulture)
On the 57th New York Film Festival (Bright Wall/Dark Room)
On The Birdcage (Bright Wall/Dark Room)
On Hindemith’s Symphonic Metamorphosis (WQXR)
On Beethoven & EM Forster (WQXR)
On Charli XCX’s Boys music video (Bright Wall/Dark Room)
On I Think You Should Leave (Vulture)
2018
On Free Solo & Mission: Impossible — Fallout (Bright Wall/Dark Room)
On my year living on Elaine Place (Chicago Magazine)
On Léo Delibes (WQXR)
On the 56th New York Film Festival (Bright Wall/Dark Room)
On A Room With A View (Bright Wall/Dark Room)
On Rachmaninoff’s Third Piano Concerto (WQXR)
2017
On The Truman Show & Jake Paul (Bright Wall/Dark Room)
On Elgar’s Cello Concerto (The Awl)
On Atonement (Bright Wall/Dark Room)
On the 1812 Overture (The Awl)
On running an EDM 5K (GQ)
On Bill Nighy (Bright Wall/Dark Room)
2016
On Sing Street (Bright Wall/Dark Room)
On The Holiday (Bright Wall/Dark Room)
On Dvorak’s Symphony From The New World (The Awl)
On my staunch argument that McDonald’s should be the only restaurant in airports (The Awl)
On The Lonely Island (Jezebel)
On my Discover Weekly (Jezebel)
On modern like (Brooklyn Magazine)
2015
On Magic Mike XXL (Bright Wall/Dark Room)
On putting all of my crushes into a Facebook group (Cosmopolitan)